The Second Book of Modern Verse by Jessie Belle Rittenhouse
So, here's the deal with this book. 'The Second Book of Modern Verse' is a real anthology, first published in 1919. Jessie Belle Rittenhouse was a well-known critic and anthologist, and she packed this collection with what was considered 'modern' poetry at the time—work from giants like Amy Lowell, Carl Sandburg, and Sara Teasdale. You can find reprints of it today. But the copy I'm talking about is different. My copy has no publisher mark, no date. The title page simply says 'by Unknown' where the author should be. It’s a physical artifact that has slipped out of its own history.
The Story
There isn't a plot in the traditional sense. Instead, the 'story' is the journey of asking questions. You read a beautiful, familiar poem by Robert Frost, and then your fingers trace the edge of the anonymous, yellowed page it's printed on. Who bought the paper? Who set the type? Was this a private print run for a club? A bootleg copy? A prototype that never got its proper cover? The book itself becomes a character—a silent, stubborn one that refuses to give up its secrets. The known history of early 20th-century American poetry sits right beside a blank space where this book's biography should be.
Why You Should Read It
This experience completely changed how I read. It’s not just about the words anymore; it’s about the object containing them. The mystery of its origin makes you appreciate the sheer physical journey a book takes. Someone carefully chose these poems, and then someone else, lost to time, carefully (or hastily) assembled this specific volume. It highlights how much history is carried in the paper, binding, and ink, not just the text. It’s a powerful reminder that every old book in a thrift store or on your grandma's shelf has a hidden story of its own.
Final Verdict
This is perfect for poetry lovers who enjoy a side of mystery, or for anyone fascinated by book history and the stories objects hold. If you're the type who wonders about the previous owner of a used book, you'll be captivated. It's not a light, breezy read; it's a contemplative and strangely haunting experience. You won't just read poems; you'll investigate a quiet, century-old puzzle. Just be warned: you might start looking at every old book as a potential mystery waiting to be solved.
The copyright for this book has expired, making it public property. It is available for public use and education.